Scott Henderson

Scott Henderson Amp Settings

EQ dial positions, gain structure, and how to replicate the sound on any amp

Mesa/Boogie Mark IV / Dumble ODS — Dial Settings

Sourced
6
Gain
5
Bass
7
Mid
6
Treble
5
Presence
3
Reverb
Scott Henderson's fusion-blues tone is mid-forward and warm — Mesa Mark IV lead channel at moderate gain (6) with boosted Mid for the vocal, cutting character his melodic lines require. His Suhr Modern guitars' HSS configuration means bridge humbucker for lead (full gain) and neck single-coil for clean (lower amp gain). Reverb 3 adds space without washing the melodic clarity. He also uses Dumble ODS amps for cleaner, more American-voiced passages — the Mark IV and Dumble complement each other in his studio work.

All values on a 0–10 scale. Adjust by ear — room acoustics and specific amp variants affect the exact position.

Choosing the Right Amp

high gainMesa Dual Rectifier, Peavey 5150/6505, ENGL — modern saturation. Use gate to control noise.
british crunchMarshall Plexi, JCM800, Vox AC — mid-forward crunch. Let the amp drive the tone.

Amp at Every Budget

£200 · Beginner
Boss Katana 50 MkII
$189
Full rig →
£500 · Sweet Spot
Boss Katana 50 MkII
$189
Full rig →
£1,000 · Pro-Level
Blackstar HT Stage 60 MkII
$697
Full rig →
£2,500 · Premium
Marshall DSL40CR
$1,142
Full rig →

Getting the Most From Your Amp

  • Use the amp's own drive channel rather than stacking too many pedals —Henderson's tone benefits from amp-driven saturation.
  • Don't scoop the mids. Henderson's mid-forward voicing is essential to cut through the mix.
  • Master volume matters — many classic tones only work at significant volume when tubes are working hard.

Scott Henderson Amp Settings — Common Questions

Scott Henderson uses the Mesa/Boogie Mark IV / Dumble ODS with Gain at 6, Bass at 5, Mid at 7, Treble at 6, and Presence at 5. Scott Henderson's fusion-blues tone is mid-forward and warm — Mesa Mark IV lead channel at moderate gain (6) with boosted Mid for the vocal, cutting character his melodic lines require. His Suhr Modern guitars' HSS configuration means bridge humbucker for lead (full gain) and neck single-coil for clean (lower amp gain). Reverb 3 adds space without washing the melodic clarity. He also uses Dumble ODS amps for cleaner, more American-voiced passages — the Mark IV and Dumble complement each other in his studio work.

Scott Henderson's primary amp is the Mesa/Boogie Mark IV / Dumble ODS. At different budgets, similar tones can be achieved with: Boss Katana 50 MkII (£200 · Beginner), Boss Katana 50 MkII (£500 · Sweet Spot), Blackstar HT Stage 60 MkII (£1,000 · Pro-Level), Marshall DSL40CR (£2,500 · Premium).

Scott Henderson sets Gain to 6 on the Mesa/Boogie Mark IV / Dumble ODS. Scott Henderson's fusion-blues tone is mid-forward and warm — Mesa Mark IV lead channel at moderate gain (6) with boosted Mid for the vocal, cutting character his melodic lines require.

You can get close to Scott Henderson's tone on any amp by focusing on the EQ character rather than specific gain levels. Key: keep the mids high (7–8) — mid-forward voicing is critical. Use the amp's drive channel rather than external pedals for the primary distortion. A Boss Katana or Blackstar HT series can approximate the tone at low cost.

For Scott Henderson's EQ signature: Bass 5/10, Mid 7/10, Treble 6/10, Presence 7/10. The tone is characterised as: jazz-rock-metal, aggressive-fusion, superstrat-precision. These are starting points — fine-tune by ear to your specific amp and room.