Steve Clark

Photograph

Steve Clark · Pyromania · 1983

What Makes This Sound Unique

The Pyromania album's signature track — Clark's guitar tone on the Pyromania album is slightly rawer than the ultra-polished Hysteria, with less studio layering and a more direct Les Paul/Marshall relationship. The main riff's clean-then-distorted approach is a Clark signature.

  1. 1Gibson Les Paul Standard
  2. 2Marshall JCM800 (Pyromania era, less processing than Hysteria)
Gain / Volume7
Bass7
Mid7
Treble7
Presence7

The Pyromania tone has less studio processing than Hysteria — more natural amp character comes through, making it slightly rawer and more dynamic.

How to Play It

Clean verse, distortion chorus contrast — Photograph moves between clean, measured verse guitar and the full distortion chorus, a common 1980s rock dynamic device that Clark used effectively throughout Pyromania.

Achievable With

Les Paul → Marshall JCM800 → the clean verse requires lowering the guitar volume to 5 while the chorus requires full volume 10. Using the guitar volume knob for dynamic switching rather than separate amp channels.

Adapt to My Amp

Other Song Rigs

Pour Some Sugar on Me

Hysteria · 1987

Def Leppard's biggest single and a masterclass in 1980s arena rock guitar produc

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Love Bites

Hysteria · 1987

Def Leppard's most successful power ballad — Clark's clean, sustained guitar pro

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Rock of Ages

Pyromania · 1983

Clark and Phil Collen's twin-guitar Pyromania sound at its most iconic — thick,

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Bringin' On the Heartbreak

High 'n' Dry · 1981

Clark at his most melodic — a power-ballad tone that predates the Pyromania laye

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Foolin'

Pyromania · 1983

Full Pyromania production — the acoustic guitar intro gives way to a massive twi

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