Tom Morello

Guerrilla Radio

Tom Morello · The Battle of Los Angeles · 1999

What Makes This Sound Unique

Morello's most rhythmically locked Rage tone — the main riff uses tight rhythmic muting through a Marshall to create a mechanical, insistent groove that functions almost as a drum pattern. The solo uses a combination of the kill switch, whammy, and pickup selector toggling to produce sounds that have no analogue in conventional guitar technique.

  1. 1Arm the Homeless custom guitar (kill switch wired)
  2. 2DigiTech Whammy (various settings per section)
  3. 3Marshall JCM800 (100W)
  4. 4DOD FX40B EQ (mid-forward setting)
Gain / Volume8
Bass7
Mid8
Treble6
Presence5

Identical platform to Killing in the Name — consistent Marshall JCM800 + graphic EQ mid-boost setup across all Rage Against the Machine material. The tonal variation comes entirely from the kill switch and Whammy, not amp adjustments.

How to Play It

The solo combines three simultaneous techniques: kill-switch rhythmic stuttering, whammy pitch shifts, and pick scrapes with pickup selector toggling. None of these sounds are conventionally musical — Morello treats the guitar as a DJ scratching device, using physical manipulation of the instrument rather than fretted notes.

Achievable With

Any guitar with a toggle switch wired as kill switch + DigiTech Whammy (a non-negotiable effect — no other pitch pedal replicates the exact Whammy character) + heavy distortion. Practice the kill-switch stutter independently before combining it with picking.

Adapt to My Amp

Other Song Rigs

Killing in the Name

Rage Against the Machine · 1992

The heaviest funk-metal guitar tone ever recorded — a heavy-gauge string Whammy

View rig →

Bulls on Parade

Evil Empire · 1996

The most turntable-influenced guitar tone in rock — Morello mimics DJ scratching

View rig →
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