Uli Jon Roth

Dark Lady

Uli Jon Roth · Electric Sun · 1979

What Makes This Sound Unique

Fully orchestral and multi-layered — Roth's first Electric Sun album shows him pursuing the synthesiser-guitar hybrid concept before the technology to do it properly existed. The lead tone is his most refined, using the extra-fret Strat to access violin-register notes.

  1. 1Fender Stratocaster (30+ fret modified Sky Guitar prototype)
  2. 2Marshall stack
  3. 3Roland Space Echo or similar tape delay
Gain / Volume7
Bass5
Mid7
Treble8
Reverb5

Tape delay adds a slight rhythmic echo that creates the orchestral layering effect. The extra high-register notes on the Sky Guitar prototype ring above the 24th fret.

How to Play It

Extreme upper-register playing using the extended fretboard — Roth was physically accessing notes unavailable to other guitarists by this point.

Achievable With

Standard Strat bridge pickup → JCM800 → MXR Carbon Copy delay (slapback). The upper-register notes are limited to 24-fret instruments at minimum.

Adapt to My Amp

Other Song Rigs

Sails of Charon

Taken by Force · 1977

Uli's masterpiece with the Scorpions — a neoclassical tone five years before Yng

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In Trance

In Trance · 1975

Uli's most hypnotic Scorpions performance — a slow, meditative track where the S

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Pictured Life

In Trance · 1975

One of Roth's most accessible Scorpions compositions — a melodic hard rock track

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We'll Burn the Sky

Taken by Force · 1977

Melodically soaring with a vocal quality — Roth's Marshall-driven Fender Strat t

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Fly to the Rainbow

Fly to the Rainbow · 1974

Early hard rock with psychedelic edges — Roth's first major statement as a lead

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