Uli Jon Roth

We'll Burn the Sky

Uli Jon Roth · Taken by Force · 1977

What Makes This Sound Unique

Melodically soaring with a vocal quality — Roth's Marshall-driven Fender Strat tone is exceptionally fluid here, blending blues-rock sustain with the phrasing of a classical violinist. The vibrato is wide, the sustain long, and the tone mid-heavy with sparkling highs.

  1. 1Fender Stratocaster (modified, extra frets)
  2. 2Marshall Super Lead 100W (cranked)
  3. 31x12 or 4x12 cabinet
Gain / Volume8
Bass5
Mid7
Treble8
Presence8

Full-volume Marshall with presence pushed — the bright Strat single-coils need the presence control to cut through without losing the top-end sparkle that defines Roth's lead tone.

How to Play It

Classical violin-influenced vibrato applied to electric guitar bends — Roth's left-hand vibrato is unusually controlled and musical, more vertical (perpendicular to strings) than lateral.

Achievable With

Fender Stratocaster (bridge or middle/bridge) → JCM800 or Plexi clone cranked → 4x12. A Strat into a cranked Blues Driver captures the character on a budget.

Adapt to My Amp

Other Song Rigs

Sails of Charon

Taken by Force · 1977

Uli's masterpiece with the Scorpions — a neoclassical tone five years before Yng

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In Trance

In Trance · 1975

Uli's most hypnotic Scorpions performance — a slow, meditative track where the S

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Pictured Life

In Trance · 1975

One of Roth's most accessible Scorpions compositions — a melodic hard rock track

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Fly to the Rainbow

Fly to the Rainbow · 1974

Early hard rock with psychedelic edges — Roth's first major statement as a lead

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Dark Lady

Electric Sun · 1979

Fully orchestral and multi-layered — Roth's first Electric Sun album shows him p

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