Albert King

Oh Pretty Woman

Albert King · Born Under a Bad Sign · 1967

What Makes This Sound Unique

Albert King's most uptempo Stax recording — the minor-pentatonic riff played left-handed upside-down produces the unique bending intervals that no right-handed guitarist can precisely replicate. The Flying V's mahogany body contributes warmth to what would otherwise be an aggressive tone.

  1. 1Gibson Flying V (left-handed, strung right-handed — Albert's unique upside-down approach)
  2. 2Fender Dual Showman or similar (loud, pushed)
  3. 3Stax Records horn arrangement (guitar cuts through)
Gain / Volume5
Bass7
Mid7
Treble7
Presence7

Albert's string bending produces pitches other guitarists can't reach because he bends in the opposite direction — his upside-down left-handed setup means pulling strings down creates the same pitch as pushing up conventionally, but with different physics and tone.

How to Play It

Down-bend technique — Albert bends strings by pulling down rather than pushing up (reversed because he plays upside-down left-handed). This creates a uniquely weighted, thick bend that approaches the target pitch from below with more physical resistance.

Achievable With

Flying V or any guitar with medium action → medium-gain amp → the unique bend tone is extremely difficult to replicate because it comes from Albert's unconventional playing approach. Standard right-handed players can approximate it but not precisely duplicate it.

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Other Song Rigs

Born Under a Bad Sign

Born Under a Bad Sign · 1967

Massive, thick blues tone from a left-handed player stringing and playing a righ

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I'll Play the Blues for You

I'll Play the Blues for You · 1972

Albert at his most soulful and restrained — a slow, swooping performance that hi

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Crosscut Saw

Born Under a Bad Sign · 1967

More aggressive than the album title track — the guitar attack is sharper and th

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As the Years Go Passing By

Live Wire/Blues Power · 1968

Albert King at his most emotionally devastating — a slow, minimal blues where ev

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Blues Power

Live Wire/Blues Power · 1968

The Fillmore album's upbeat opener — Albert's most driving and energetic live to

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