Alex Lifeson

La Villa Strangiato

Alex Lifeson · Hemispheres · 1978

What Makes This Sound Unique

Rush's most ambitious instrumental — twelve sections spanning classical fingerpicking, heavy riffing, and jazz-influenced fusion. Lifeson shifts between clean arpeggios and full Les Paul crunch through a Gibson/Marshall setup, covering more tonal ground in nine minutes than most guitarists cover in a career.

  1. 1Gibson Les Paul Standard (multiple pickup positions)
  2. 2Marshall 1959 Super Lead 100W
  3. 3Echoplex EP-3 tape delay
  4. 4MXR Phase 90 (on specific sections)
Gain / Volume6
Bass7
Mid7
Treble7
Presence6

Versatile Marshall setting that works for both the clean arpeggio sections and the heavy riff passages — slightly lower gain than pure crunch to allow clean note articulation in the quieter sections.

How to Play It

Classical-style fingerpicking on the intro (thumb and fingers without a pick) transitions to full plectrum playing for the heavier sections — Lifeson uses a hybrid approach that allows rapid switches between fingerstyle and pick technique.

Achievable With

Les Paul → Marshall Origin or JCM800 → MXR Phase 90 → Echoplex or Boss DD-3 Delay. The key is a versatile amp that handles both clean arpeggios and driven riffing without switching channels.

Adapt to My Amp

Other Song Rigs

Limelight

Moving Pictures · 1981

The most celebrated Alex Lifeson solo — a perfectly constructed melodic statemen

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Tom Sawyer

Moving Pictures · 1981

Rush's signature hard rock tone — dense and layered through multiple Marshall pa

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The Spirit of Radio

Permanent Waves · 1980

Lifeson's most versatile performance in one track — clean acoustic-style intro,

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YYZ

Moving Pictures · 1981

Lifeson's tightest, most precisely picked riff — the 5/4 main theme requires abs

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Freewill

Permanent Waves · 1980

Lifeson at the peak of the pre-synth era — the ES-355 through a Marshall deliver

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Subdivisions

Signals · 1982

Lifeson's most synth-adjacent guitar tone — during Rush's early-80s synth era, h

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