Dick Dale

Misirlou

Dick Dale · Surfers' Choice · 1962

What Makes This Sound Unique

The surf guitar tone that became universally recognisable through Pulp Fiction — Dick Dale's Stratocaster through a custom Fender Showman produces the loudest, most trebly guitar tone in 1962 popular music. Dale required Leo Fender to build increasingly powerful amps because he kept burning out speakers at his surf concerts.

  1. 1Fender Stratocaster (custom 'The Beast', left-handed played right-handed)
  2. 2Fender Showman Amplifier (custom-built 85W)
  3. 3Fender JBL D130 15-inch speaker (never burned out)
  4. 4Reverb tank (spring reverb, Fender-custom)
Gain / Volume5
Bass6
Mid7
Treble9
Presence9
Reverb6

Maximum treble and presence — Dale wanted the most cutting, brightest possible guitar tone. The spring reverb is turned up to simulate the wet, reverberant sound of a beachside concert hall.

How to Play It

Single-string tremolo picking — Misirlou is built on a single descending scale run played with extremely rapid alternate picking on a single string. Dale uses a heavy 60-gauge string-gauge for resistance and plays left-handed, creating a different physical tension than conventional stringing.

Achievable With

Stratocaster → Fender Showman or any Fender amp with spring reverb (reverb at 7+) → treble 9, presence 9 → practice the Misirlou pattern: single-string descent using Middle Eastern scale (starting on E: E–D#–D–C–B). Maximum reverb is mandatory.

Adapt to My Amp

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Let's Go Trippin'

Let's Go Trippin' · 1961

The first surf rock instrumental — the recording that defined the genre before i

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King of the Surf Guitar

King of the Surf Guitar · 1963

The title track that named the genre — Dale's Fender Stratocaster through a cust

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Hava Nagila

Surfer's Choice · 1962

Dale's signature of taking Middle Eastern and Jewish folk melodies and transform

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Nitrus

Tribal Thunder · 1993

Dale's 1990s comeback album — the tone is considerably heavier than the early Su

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