Joe Bonamassa

Had to Cry Today

Joe Bonamassa · Had to Cry Today (Live) · 2009

What Makes This Sound Unique

Bonamassa's cover of the Blind Faith track is a full-power blues-rock statement — the tone is built on his Les Paul Custom through a Dumble or Soldano clone, producing a warm, sustaining lead tone that breathes and sings. The long lead passages give him space to demonstrate his formidable pentatonic vocabulary.

  1. 1Gibson Les Paul Custom
  2. 2Dumble ODS (or Fuchs ODS clone)
  3. 3Zendrive (light overdrive pedal)
Gain / Volume7
Bass6
Mid7
Treble6
Reverb4

Dumble-style warmth — the ODS-derived amp character is clean until pushed, then breaks up beautifully with a smooth, musical character completely different from the aggressive Mesa Rectifier distortion. The warm mid-forward character suits the long, vocal blues phrasing.

How to Play It

Extended blues phrasing over a long-form structure — Bonamassa builds his solos in stages across the extended song form, with careful attention to tension-and-release. The phrasing quotes classic blues vocabulary (Clapton, Page, Green) while adding contemporary fluency.

Achievable With

Les Paul → Zendrive or Hermida Zendrive → Fender Blues Deluxe or any warm-character amp. The Dumble sound is best approximated by a Dumble-influenced pedal (Zendrive, Bluesbreaker) into a clean platform amp.

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Other Song Rigs

Blues Deluxe

Blues Deluxe · 2003

A Jeff Beck cover that Bonamassa made his own — Les Paul through a Fender Bassma

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Sloe Gin

Sloe Gin · 2007

Bonamassa's commercial and artistic breakthrough. A Marshall-focused tone rather

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Driving Towards the Daylight

Driving Towards the Daylight · 2012

Later Bonamassa with a more varied tonal palette — the title track uses a Strato

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The Ballad of John Henry

The Ballad of John Henry · 2009

Bonamassa's title track from his most commercially successful album — the Les Pa

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Mountain Time

You & Me · 2006

Bonamassa at his most Allman Brothers — the slide guitar tone here echoes Duane

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Further on up the Road

Blues Deluxe · 2003

Bobby Bland's blues classic in Bonamassa's hands becomes a full-tilt high-gain s

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