Joe Bonamassa

Mountain Time

Joe Bonamassa · You & Me · 2006

What Makes This Sound Unique

Bonamassa at his most Allman Brothers — the slide guitar tone here echoes Duane Allman and Dickey Betts directly. The open tuning, slide glass, and pushed Fender amp create a warm, resonant bottleneck tone very different from the standard LP-into-Marshall approach. This track shows his stylistic range.

  1. 1Gibson Les Paul (open E tuning)
  2. 2glass slide (Dunlop 215)
  3. 3Fender Vibro-King or Princeton
Gain / Volume6
Bass7
Mid6
Treble6
Reverb5

Fender-style warmth for slide — different from the British amp character of his standard tone. Slide guitar benefits from a rounder, more organic distortion character than a Marshall. Reverb more generous for the resonant, ringing quality of open tuning slide. Open E raises the bass strings, adding weight.

How to Play It

Open E slide in the Allman Brothers tradition — glass slide on the ring or pinky finger, laid flat across the strings. The challenge is intonation: the slide must sit exactly over the fret wire (not between frets) to play in tune. Additionally, unused strings must be muted with the fretting hand fingers to prevent sympathetic ringing.

Achievable With

Guitar in open E (EBEG#BE) → glass slide → warm Fender-style amp with reverb. Setup matters: higher action reduces fret buzz when the slide contacts strings.

Adapt to My Amp

Other Song Rigs

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Driving Towards the Daylight

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The Ballad of John Henry

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Bonamassa's title track from his most commercially successful album — the Les Pa

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Had to Cry Today

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Bonamassa's cover of the Blind Faith track is a full-power blues-rock statement

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Further on up the Road

Blues Deluxe · 2003

Bobby Bland's blues classic in Bonamassa's hands becomes a full-tilt high-gain s

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