Joe Pass

Blues for Basie

Joe Pass · Portraits of Duke Ellington · 1974

What Makes This Sound Unique

Swinging and bluesy with a hint of edge — Pass allows a touch more attack here, letting the pick dig in on string bends and the occasional bent note. The tone is still round but with more grit than his ballad work.

  1. 1Gibson ES-175 (bridge pickup, volume ~7)
  2. 2Small tube combo (slightly louder)
Gain / Volume3
Bass6
Mid7
Treble6

Slightly more presence than his ballad tone — bridge pickup adds bite for the blues lines. Still clean but with natural amp warmth that softens the attack.

How to Play It

Blues-influenced bending and vibrato within a bebop harmonic framework — Pass bridges swing and bebop vocabularies in a single phrase.

Achievable With

Semi-hollow or ES-335 → Blues Junior or Princeton at 40% volume. The bridge pickup position gives you the extra clarity needed for the blues lines.

Adapt to My Amp

Other Song Rigs

Autumn Leaves

Virtuoso · 1973

The most famous solo jazz guitar recording — Joe Pass alone with a Gibson ES-175

View rig →

Night and Day

Virtuoso · 1973

The Virtuoso album's longest exploration — a Cole Porter standard that Joe Pass

View rig →

All the Things You Are

Virtuoso · 1973

The most harmonically sophisticated jazz standard in the Virtuoso repertoire — i

View rig →

Cheek to Cheek

Virtuoso · 1973

Pure, round and unaccompanied — Joe Pass's ES-175 speaks without support from ba

View rig →

Satin Doll

Virtuoso No. 2 · 1976

Silky and mid-focused — Pass swings this Ellington standard with a relaxed but p

View rig →
← All Pass SongsSound Like PassAmp Settings →