Joe Pass

Satin Doll

Joe Pass · Virtuoso No. 2 · 1976

What Makes This Sound Unique

Silky and mid-focused — Pass swings this Ellington standard with a relaxed but precisely articulated tone. The ES-175's natural compression and warm output make every chord voicing sit comfortably together without harshness.

  1. 1Gibson ES-175 (neck pickup)
  2. 2Studio amplifier (Polytone or similar)
Gain / Volume1
Bass6
Mid7
Treble5
Reverb2

Very low gain — the Polytone mini-brute amplifiers Pass used in later years were extremely clean and transparent. Slight room ambience; almost no added reverb.

How to Play It

Shell voicings (root-3rd-7th or root-7th-3rd) with melody on top — the jazz guitarist's toolkit distilled to its essentials.

Achievable With

Any archtop or semi-hollow through a Polytone or Roland Jazz Chorus at low volume. Eastman T486 is an affordable ES-175 substitute.

Adapt to My Amp

Other Song Rigs

Autumn Leaves

Virtuoso · 1973

The most famous solo jazz guitar recording — Joe Pass alone with a Gibson ES-175

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Night and Day

Virtuoso · 1973

The Virtuoso album's longest exploration — a Cole Porter standard that Joe Pass

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All the Things You Are

Virtuoso · 1973

The most harmonically sophisticated jazz standard in the Virtuoso repertoire — i

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Cheek to Cheek

Virtuoso · 1973

Pure, round and unaccompanied — Joe Pass's ES-175 speaks without support from ba

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Blues for Basie

Portraits of Duke Ellington · 1974

Swinging and bluesy with a hint of edge — Pass allows a touch more attack here,

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