Jonny Greenwood

How to Disappear Completely

Jonny Greenwood · Kid A · 2000

What Makes This Sound Unique

Greenwood's most atmospheric guitar work — the tone almost completely loses its identity as a guitar, blending into the orchestral string arrangement. Heavily processed with the Korg Kaoss Pad and reverse reverb, the guitar becomes pure texture and emotion rather than a melodic instrument.

  1. 1Fender Telecaster (neck pickup)
  2. 2Korg Kaoss Pad (real-time audio mangling)
  3. 3Eventide harmonizer with reverse reverb
Gain / Volume2
Bass5
Mid5
Treble4
Reverb9

The guitar itself is barely audible as a guitar — the signal chain is primarily the Kaoss Pad's real-time manipulation and extreme reverb. The aim is to create "anti-guitar" textures that blend into Jonny's orchestral arrangements rather than sitting forward as a traditional guitar part.

How to Play It

Slow bowing technique with a cello bow (Greenwood studied and used bowing on various Radiohead recordings) — the notes are intentionally blurred and indistinct, creating sustained tones without the percussive attack of picking.

Achievable With

Any guitar → heavy reverb and reverse reverb (Strymon BigSky, Walrus Audio Slö) → Eventide Space (reverse reverb programs) → Korg Kaoss Pad for real-time manipulation. The goal is to make the guitar unrecognisable.

Adapt to My Amp

Other Song Rigs

Creep

Pablo Honey · 1992

The chord stab that launched Radiohead — Greenwood's violent, scratchy guitar hi

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Paranoid Android

OK Computer · 1997

Radiohead's most complex song — a three-part suite that requires multiple distin

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Karma Police

OK Computer · 1997

Radiohead's most immediate melody — the guitar provides sparse, clean chord supp

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There There

Hail to the Thief · 2003

Greenwood's most tribal, percussive guitar tone — driven by a marimbas-inspired

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Pyramid Song

Amnesiac · 2001

Primarily a piano track but Greenwood's guitar contribution is a sustained, heav

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