Jonny Greenwood

There There

Jonny Greenwood · Hail to the Thief · 2003

What Makes This Sound Unique

Greenwood's most tribal, percussive guitar tone — driven by a marimbas-inspired approach to guitar playing where the strings are struck rather than plucked, creating a woody, percussive quality. The guitar is thick and slightly distorted but primarily rhythmic rather than melodic.

  1. 1Fender Telecaster or Starcaster (Radiohead used both)
  2. 2Marshall amplifier (moderate gain)
  3. 3Tremolo effect (subtle, slow speed)
Gain / Volume6
Bass7
Mid6
Treble5
Reverb3

Moderate Marshall overdrive — There There was one of the more traditionally rock-sounding Radiohead tracks from this era. The bass frequencies are boosted compared to other Greenwood tones because the part is functioning as both guitar and bass in the low-end arrangement.

How to Play It

Percussive strumming pattern inspired by African and Brazilian percussion — the guitar part developed from Greenwood playing along to Clive Deamer's and Phil Selway's drum improvisation sessions. The emphasis is on rhythm and attack rather than note selection.

Achievable With

Telecaster → Marshall-style amp at moderate gain → boss TR-2 tremolo (subtle) → practice the pattern to a metronome, focusing on the percussive, marimba-like attack of each stroke.

Adapt to My Amp

Other Song Rigs

Creep

Pablo Honey · 1992

The chord stab that launched Radiohead — Greenwood's violent, scratchy guitar hi

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Paranoid Android

OK Computer · 1997

Radiohead's most complex song — a three-part suite that requires multiple distin

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Karma Police

OK Computer · 1997

Radiohead's most immediate melody — the guitar provides sparse, clean chord supp

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How to Disappear Completely

Kid A · 2000

Greenwood's most atmospheric guitar work — the tone almost completely loses its

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Pyramid Song

Amnesiac · 2001

Primarily a piano track but Greenwood's guitar contribution is a sustained, heav

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