Josh Homme

Go with the Flow

Josh Homme · Songs for the Deaf · 2002

What Makes This Sound Unique

Go with the Flow is the most accessible QOTSA track and a perfect example of Homme's approach to heavy-but-groovy guitar. The recurring guitar figure uses a slight palm mute on the low strings combined with open, ringing notes higher on the fretboard — a technique that gives the riff both rhythmic pulse and melodic content simultaneously. The tone is a cranked Fender amp with a slightly fuzz-like quality.

  1. 1Fender Telecaster Custom
  2. 2Fender Dual Showman Reverb
  3. 3Mosrite Ventures Model
Gain / Volume7
Bass6
Mid7
Treble6
Presence5

Similar desert rock setting to No One Knows — mid-forward, warm, organic. The gain is slightly lower on this track, giving the riff more definition between the palm-muted and open notes.

How to Play It

The alternation between palm-muted low string notes and unmuted higher notes within a single riff is the key technique — the contrast between dead and ringing notes within a single phrase creates rhythmic and harmonic interest simultaneously.

Achievable With

A single-coil bridge pickup into a mid-forward tube amp at moderate-high gain. The palm muting must be very controlled — too much mute deadens the note completely, too little loses the groove distinction.

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Other Song Rigs

No One Knows

Songs for the Deaf · 2002

Songs for the Deaf was recorded with Homme's "Desert Session" approach — loud, d

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The Lost Art of Keeping a Secret

Rated R · 2000

Rated R was the album where Homme fully crystallised the desert rock aesthetic —

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