Josh Homme

No One Knows

Josh Homme · Songs for the Deaf · 2002

What Makes This Sound Unique

Songs for the Deaf was recorded with Homme's "Desert Session" approach — loud, distorted guitars through vintage Fender amps, using the amp's natural power section distortion rather than pedals. No One Knows uses a Fender Telecaster into a Dual Showman Reverb pushed to natural saturation, creating a woolly, warm distortion that is quite different from the tight, scooped metal tones of contemporaries.

  1. 1Fender Telecaster Custom (1972)
  2. 2Fender Dual Showman Reverb (cranked)
  3. 3Vox AC30 (supplementary)
  4. 4Orange AD30 (supplementary)
Gain / Volume8
Bass6
Mid8
Treble6
Presence5

The mid-forward, warm character is central to the QOTSA sound. Unlike grunge or metal, the midrange is boosted rather than scooped — the tone is fuzzy and organic rather than cutting and tight.

How to Play It

The main riff uses the Telecaster's bridge pickup for attack and bite, then Homme often switches to the neck pickup for the pre-chorus to create a smoother, more sustained quality.

Achievable With

A Telecaster (or humbucker guitar) into a Fender Dual Showman or similar mid-range-rich tube amp at high volume. Avoid scooping mids — the mid-forward EQ is essential to the QOTSA character.

Adapt to My Amp

Other Song Rigs

Go with the Flow

Songs for the Deaf · 2002

Go with the Flow is the most accessible QOTSA track and a perfect example of Hom

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The Lost Art of Keeping a Secret

Rated R · 2000

Rated R was the album where Homme fully crystallised the desert rock aesthetic —

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