Kenny Burrell

Satin Doll

Kenny Burrell · Kenny Burrell · 1957

What Makes This Sound Unique

Definitively warm and round — Burrell's tone on the Blue Note recordings is the gold standard of jazz guitar warmth. The Gibson archtop speaks with a full, confident voice that sits perfectly in a small combo without overwhelming.

  1. 1Gibson ES-175 (humbucker, neck position)
  2. 2Studio tube amp (clean)
Gain / Volume1
Bass7
Mid7
Treble4
Reverb2

Treble rolled back to 4 — Burrell's characteristic sound involves more warmth than typical jazz guitar. The humbuckers on the ES-175 already reduce brightness; he reduced it further with the tone control.

How to Play It

Elegant swing comping and single-note lines — Burrell played with a rounded pick angle and consistent volume that gave his notes an even, mature character at any tempo.

Achievable With

Gibson ES-175 or Epiphone equivalent → Polytone Mini-Brute → roll guitar tone to 6 and amp treble to 4.

Adapt to My Amp

Other Song Rigs

Chitlins Con Carne

Midnight Blue · 1963

The most famous jazz guitar blues ever recorded — a shuffling minor blues that b

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Midnight Blue

Midnight Blue · 1963

The album's title track and Burrell's most emotionally resonant slow blues — the

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Blues for Smoky

Kenny Burrell · 1957

Burrell's earliest Blue Note recording — a faster, more bebop-influenced blues t

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A Night in Tunisia

Kenny Burrell · 1957

Swinging and exotic — the Dizzy Gillespie standard suits Burrell's confident beb

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Gloria Free

Guitar Forms · 1965

Orchestral and adventurous — Guitar Forms is Burrell's collaboration with Gil Ev

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