Marty Friedman

A Tout le Monde

Marty Friedman · Countdown to Extinction · 1992

What Makes This Sound Unique

Marty's most emotionally direct work — the solo shifts from aggressive to heartfelt within a few bars, demonstrating that his true strength is expression rather than technique. The tone is slightly warmer than the Rust in Peace albums, reflecting the more polished production of Countdown to Extinction.

  1. 1Jackson DK2 Dinky (neck pickup for melodic sections)
  2. 2Mesa Boogie Mark II C+ (mid-gain setting)
  3. 3Alesis MidiVerb II (hall reverb)
Gain / Volume6
Bass6
Mid7
Treble6
Reverb4

Lower gain than the Rust in Peace recordings — the song calls for emotion rather than aggression. Reverb is more present, giving solo phrases room to linger between notes.

How to Play It

Slower, more deliberate phrasing with extended note holds and gradual vibrato ramp-ups — Marty's control of vibrato speed, starting slow and accelerating, adds an orchestral quality to sustained notes.

Achievable With

Les Paul or Jackson neck pickup → Mesa Boogie or any amp at medium gain (5–6) → hall reverb at 30–40% mix. Less gain than you might expect — the expressiveness comes from the playing.

Adapt to My Amp

Other Song Rigs

Tornado of Souls

Rust in Peace · 1990

Widely regarded as one of the greatest guitar solos ever recorded — the tone is

View rig →

Hangar 18

Rust in Peace · 1990

A showcase of two distinct lead voices alternating through multiple solo section

View rig →

Into the Arena

Dragon's Kiss · 1988

Marty's solo debut showcase — a melodic neoclassical instrumental built on his u

View rig →

For a Friend

Introduction · 1994

Marty's most beautiful post-Megadeth solo piece — a slow, lyrical instrumental d

View rig →

Thunder March

Scenes · 1992

Marty's first post-Megadeth album solo track — a full orchestral arrangement wit

View rig →
← All Marty Friedman SongsSound Like Marty FriedmanAmp Settings →