Marty Friedman

Into the Arena

Marty Friedman · Dragon's Kiss · 1988

What Makes This Sound Unique

Marty's solo debut showcase — a melodic neoclassical instrumental built on his unique vibrato system and exotic scale choices rather than pure speed. The tone is warm and sustaining, with the Jackson guitar through a Marshall producing a clear but rich high-gain sound that allows Marty's unique pitch bends to be heard precisely.

  1. 1Jackson Dinky or Soloist (Seymour Duncan JB bridge)
  2. 2Marshall JCM800
  3. 3Boss DD-3 Delay (moderate)
Gain / Volume8
Bass6
Mid7
Treble7
Presence8

High gain Marshall — the Dragon's Kiss album has the raw, direct production of an early shred record but Marty's vibrato and scale choices prevent it from sounding like generic 1980s metal.

How to Play It

Marty's unique vibrato — unlike most rock guitarists who use standard western pitch modulation, Marty applies vibrato in unusual directions and intervals, creating a distinctly Asian-influenced pitch movement that comes from his years studying Hawaiian and Japanese music.

Achievable With

Jackson or superstrat → Marshall JCM800 or Mesa Boogie → practice vibrato: start by exaggerating the pitch deviation and gradually control the width and speed. Marty's vibrato is wider and slower than typical rock vibrato.

Adapt to My Amp

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