Mike Bloomfield

Born in Chicago

Mike Bloomfield · The Paul Butterfield Blues Band · 1965

What Makes This Sound Unique

The debut Butterfield Blues Band recording and one of the first Chicago electric blues tracks recorded by white musicians — Bloomfield captures the Muddy Waters and B.B. King influence precisely, using the Les Paul's sustain for the slow, deliberate single-note lines that define Chicago blues lead playing.

  1. 1Gibson Les Paul Standard (1964)
  2. 2Fender Super Reverb 4×10
Gain / Volume5
Bass6
Mid8
Treble7
Reverb3

Chicago blues amp setting — mid-heavy, moderately driven. The Fender Super Reverb's 4×10 speakers provide a slightly brighter, more cutting character than a 12-inch speaker cabinet.

How to Play It

Chicago blues single-note lead style — Bloomfield plays in the tradition of B.B. King and Otis Rush: dramatic string bends to specific pitches, immediate vibrato on arrival, then release and rest. Each phrase is shaped like a vocal melody.

Achievable With

Les Paul → Fender Super Reverb or Blues Deluxe → medium gain → practice the Chicago blues note-targeting approach: choose a pitch destination before bending to it, arrive accurately, apply vibrato immediately, then rest before the next phrase.

Adapt to My Amp

Other Song Rigs

East-West

East-West · 1966

The track that brought Indian raga thinking to rock guitar — a 13-minute improvi

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Super Session (Blues)

Super Session · 1968

The Super Session album with Al Kooper captures Bloomfield at peak confidence —

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Texas

Super Session · 1968

Late-night blues with a fat, round Gibson tone — Bloomfield's Les Paul through a

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Like a Rolling Stone

Highway 61 Revisited · 1965

Bright and electric — the famous Fender guitar tone on this Dylan session is sha

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Stop

East-West · 1966

Raw Chicago blues urgency with a band — Bloomfield's Les Paul through a loud amp

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