Mike Bloomfield

Like a Rolling Stone

Mike Bloomfield · Highway 61 Revisited · 1965

What Makes This Sound Unique

Bright and electric — the famous Fender guitar tone on this Dylan session is sharp, slightly twangy, and crackling with energy. Bloomfield plays rhythm and fills with a Telecaster or Stratocaster rather than his later Les Paul, giving the track its distinctive jangly character.

  1. 1Fender Telecaster or Stratocaster (bridge pickup)
  2. 2Fender amp (likely Twin or Bandmaster)
Gain / Volume4
Bass5
Mid7
Treble8

Bright and slightly crunchy from natural amp drive — this is pre-PAF Bloomfield, before he fully converted to Les Paul. The Fender single-coil bite cuts through the organ and piano in the mix.

How to Play It

Stinging fills between Dylan's vocal phrases rather than full solos — Bloomfield serves the song with pointed melodic responses that became a template for rock lead playing.

Achievable With

Fender Telecaster (bridge) → Fender Blues Junior at half volume. The key is the bright, forward Fender tone rather than a warm humbucker sound.

Adapt to My Amp

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Super Session (Blues)

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Super Session · 1968

Late-night blues with a fat, round Gibson tone — Bloomfield's Les Paul through a

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Stop

East-West · 1966

Raw Chicago blues urgency with a band — Bloomfield's Les Paul through a loud amp

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