Mike Bloomfield

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Mike Bloomfield · East-West · 1966

What Makes This Sound Unique

Raw Chicago blues urgency with a band — Bloomfield's Les Paul through a loud amp produces a tone that is forward and aggressive without being heavily distorted. The note attack is immediate, the sustain medium, and the character entirely in the pick-hand dynamics.

  1. 1Gibson Les Paul Standard (bridge pickup)
  2. 2Fender Bassman or Marshall (pushed hard)
Gain / Volume6
Bass7
Mid7
Treble7

Amp pushed to natural breakup — Bloomfield in the Butterfield Blues Band context played harder and louder than his acoustic blues models, but never resorted to fuzz or heavy pedal gain.

How to Play It

Hard pick attack on single-note runs from blues and jazz scales — Bloomfield's phrasing drew as much from jazz as from blues, giving his leads an unusual harmonic sophistication for 1966.

Achievable With

Les Paul or ES-335 → Bassman or Blues Breaker (the original Marshall combo) → push it until natural breakup appears. Avoid distortion pedals.

Adapt to My Amp

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