
Song Rig
Black
Mike McCready · Ten · 1991
Tone Overview
What Makes This Sound Unique
Pearl Jam's most emotionally devastating ballad — Mike's clean-to-overdriven arc mirrors the song's emotional trajectory. The intro uses a clean, slightly chorus-drenched tone, while the outro solo uses full Fender amp breakup for the sustained, anguished single-note lines that close the track.
Signal Chain
- 1Fender Stratocaster (1959 or similar vintage model)
- 2Fender Twin Reverb or Dual Showman (clean and pushed)
- 3Boss CE-2 Chorus (intro)
- 4Ibanez Tube Screamer TS-808
Amp Settings
The intro is clean with chorus; the outro solo pushes the amp harder for a warm, breaking-up tone. Mike rarely uses heavy distortion — he prefers the Fender amp's natural breakup for blues-influenced expressiveness.
Technique
How to Play It
Restrained, singing lead for the outro — Mike's Black solo is notable for what he doesn't play. Each phrase has space around it, allowing the notes to sustain and breathe. The emotional weight comes from note choice and vibrato quality, not speed.
Budget Alternative
Achievable With
Stratocaster → Boss CE-2 for intro → Ibanez TS808 into Fender Twin for outro lead → practice slow, deliberate blues-influenced phrasing with wide vibrato on held notes.
Your Gear
Adapt to My Amp
More from Mike McCready
Other Song Rigs
Alive
Ten · 1991
The quintessential early 90s alternative rock guitar solo — built on a Stratocas…
View rig →Even Flow
Ten · 1991
Driving, rhythmically locked alternative rock — Even Flow has a tighter, more ag…
View rig →Jeremy
Ten · 1991
Dynamic and restrained for most of the song, then explosive in the outro solo. T…
View rig →Yellow Ledbetter
Jeremy (B-side) · 1992
The most Hendrix-adjacent McCready tone — Yellow Ledbetter uses a clean-to-sligh…
View rig →Given to Fly
Yield · 1998
The Yield era McCready tone — cleaner, more open, and less compressed than the T…
View rig →