Mike McCready

Black

Mike McCready · Ten · 1991

What Makes This Sound Unique

Pearl Jam's most emotionally devastating ballad — Mike's clean-to-overdriven arc mirrors the song's emotional trajectory. The intro uses a clean, slightly chorus-drenched tone, while the outro solo uses full Fender amp breakup for the sustained, anguished single-note lines that close the track.

  1. 1Fender Stratocaster (1959 or similar vintage model)
  2. 2Fender Twin Reverb or Dual Showman (clean and pushed)
  3. 3Boss CE-2 Chorus (intro)
  4. 4Ibanez Tube Screamer TS-808
Gain / Volume5
Bass6
Mid7
Treble6
Reverb4

The intro is clean with chorus; the outro solo pushes the amp harder for a warm, breaking-up tone. Mike rarely uses heavy distortion — he prefers the Fender amp's natural breakup for blues-influenced expressiveness.

How to Play It

Restrained, singing lead for the outro — Mike's Black solo is notable for what he doesn't play. Each phrase has space around it, allowing the notes to sustain and breathe. The emotional weight comes from note choice and vibrato quality, not speed.

Achievable With

Stratocaster → Boss CE-2 for intro → Ibanez TS808 into Fender Twin for outro lead → practice slow, deliberate blues-influenced phrasing with wide vibrato on held notes.

Adapt to My Amp

Other Song Rigs

Alive

Ten · 1991

The quintessential early 90s alternative rock guitar solo — built on a Stratocas

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Even Flow

Ten · 1991

Driving, rhythmically locked alternative rock — Even Flow has a tighter, more ag

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Jeremy

Ten · 1991

Dynamic and restrained for most of the song, then explosive in the outro solo. T

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Yellow Ledbetter

Jeremy (B-side) · 1992

The most Hendrix-adjacent McCready tone — Yellow Ledbetter uses a clean-to-sligh

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Given to Fly

Yield · 1998

The Yield era McCready tone — cleaner, more open, and less compressed than the T

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