Mike McCready

Yellow Ledbetter

Mike McCready · Jeremy (B-side) · 1992

What Makes This Sound Unique

The most Hendrix-adjacent McCready tone — Yellow Ledbetter uses a clean-to-slightly-broken Strat tone with a warm, vocal quality that draws directly from Hendrix's Little Wing phrasing style. The finger-picked chord melody in the intro demonstrates Mike's ability to blend chord shapes and single-note melody simultaneously.

  1. 1Fender Stratocaster (vintage, middle/neck pickup blend)
  2. 2Fender Super Reverb or Twin Reverb (edge of breakup)
  3. 3Electro-Harmonix Small Clone Chorus (subtle)
Gain / Volume4
Bass6
Mid7
Treble6
Reverb4

Edge-of-breakup Fender tone — the amp is on the verge of distorting but never fully commits. Guitar volume at 8 keeps it slightly softer; rolling to 10 during the solo pushes the amp into natural breakup.

How to Play It

Hendrix-style chord-melody fingerpicking — Mike picks partial chord shapes while pulling out the melody note with his first finger, creating a simultaneous rhythm and lead approach. The right hand uses a mixture of pick and fingers.

Achievable With

Stratocaster (middle pickup or middle/neck blend) → Fender Deluxe Reverb at moderate volume → subtle chorus → study Hendrix's Little Wing right-hand technique for the chord-melody intro approach.

Adapt to My Amp

Other Song Rigs

Alive

Ten · 1991

The quintessential early 90s alternative rock guitar solo — built on a Stratocas

View rig →

Even Flow

Ten · 1991

Driving, rhythmically locked alternative rock — Even Flow has a tighter, more ag

View rig →

Jeremy

Ten · 1991

Dynamic and restrained for most of the song, then explosive in the outro solo. T

View rig →

Black

Ten · 1991

Pearl Jam's most emotionally devastating ballad — Mike's clean-to-overdriven arc

View rig →

Given to Fly

Yield · 1998

The Yield era McCready tone — cleaner, more open, and less compressed than the T

View rig →
← All Mike McCready SongsSound Like Mike McCreadyAmp Settings →