Mike McCready

Given to Fly

Mike McCready · Yield · 1998

What Makes This Sound Unique

The Yield era McCready tone — cleaner, more open, and less compressed than the Ten productions. The song is built on a Neil Young-influenced open chord riff with a soaring lead solo that uses the Strat's natural sustain rather than heavy distortion for the high notes.

  1. 1Fender Stratocaster (neck pickup)
  2. 2Fender Twin Reverb (clean, high volume)
  3. 3Electro-Harmonix Electric Mistress Flanger (subtle)
Gain / Volume4
Bass6
Mid7
Treble7
Reverb3

Very clean for the verse, pushed slightly for the solo — the Twin Reverb clean headroom means the amp stays mostly clean even at high volume. Mike relies on the guitar volume knob for dynamic control.

How to Play It

Open chord rhythm playing combined with high-register lead fills — Given to Fly uses suspended and open-voiced chords for the rhythm part, allowing strings to ring freely. The solo uses position-shifted pentatonic licks that ascend into the upper register.

Achievable With

Stratocaster → Fender Twin Reverb or Blues Deluxe at high volume → subtle flanger → the Neil Young influence means open chord voicings (Dsus2, Asus4) are integral to the rhythm tone character.

Adapt to My Amp

Other Song Rigs

Alive

Ten · 1991

The quintessential early 90s alternative rock guitar solo — built on a Stratocas

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Even Flow

Ten · 1991

Driving, rhythmically locked alternative rock — Even Flow has a tighter, more ag

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Jeremy

Ten · 1991

Dynamic and restrained for most of the song, then explosive in the outro solo. T

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Black

Ten · 1991

Pearl Jam's most emotionally devastating ballad — Mike's clean-to-overdriven arc

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Yellow Ledbetter

Jeremy (B-side) · 1992

The most Hendrix-adjacent McCready tone — Yellow Ledbetter uses a clean-to-sligh

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