Mike Stern

Chromazone

Mike Stern · Upside Downside · 1986

What Makes This Sound Unique

Miles Davis band alumni fusion — the record that introduced Stern to a wider audience. The tone is more polished than live recordings, with the Soldano providing a refined high-gain character that suits the studio production.

  1. 1Fender Telecaster (humbucker in neck, single-coil bridge)
  2. 2Soldano SLO-100
Gain / Volume7
Bass5
Mid7
Treble8

High gain with bright treble — Stern's 1986 studio sound pushed the Soldano harder than later recordings. The Telecaster's neck humbucker provides more warmth in the lower register than a standard Tele neck single-coil.

How to Play It

Chromatic jazz lines at high tempo with bluesy bends — the 'chromazone' style blends the chromatic approach of bebop with the bend-heavy vocabulary of blues-rock.

Achievable With

Telecaster with humbucker neck replacement → high-gain amp (Mesa Mark or JCM800) → keep the treble high for note separation.

Adapt to My Amp

Other Song Rigs

Workin' It

Time in Place · 1988

Mike Stern's defining fusion tone — the Time in Place album captures his Telecas

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Little Buttercup

Upside Downside · 1986

Stern's debut album and his most exploratory solo work — a lighter, more open to

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Blue Kind

Standards (and Other Songs) · 1992

Stern applying his Marshall-Telecaster setup to jazz standards — Blue Kind demon

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Hang

Voices · 1997

Fusion crunch — Stern's Yamaha Pacifica or Fender Telecaster through a Soldano c

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Take Me Where You Go

Standards (And Other Songs) · 1992

Cleaner and more acoustic-leaning — the Standards album shows Stern in a more st

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