Mike Stern

Take Me Where You Go

Mike Stern · Standards (And Other Songs) · 1992

What Makes This Sound Unique

Cleaner and more acoustic-leaning — the Standards album shows Stern in a more straight-ahead jazz context. The tone pulls back from fusion distortion toward a more transparent, note-centred sound that serves the harmonic complexity of standard jazz repertoire.

  1. 1Fender Telecaster or Yamaha
  2. 2Soldano (clean channel or at lower gain)
Gain / Volume3
Bass5
Mid7
Treble7

Relatively clean for Stern — the standards context demands more tonal transparency than fusion work. The Soldano clean channel is unusually detailed and warm.

How to Play It

Bebop linear improvisation over complex chord substitutions — Stern's jazz theory knowledge is on full display in the standards context, navigating difficult harmonic changes with the fluency of a horn player.

Achievable With

Telecaster → Fender Super Reverb or Blues Junior → moderate treble. The clean Soldano tone is approximated by a transparent-sounding amp like the Twin Reverb.

Adapt to My Amp

Other Song Rigs

Workin' It

Time in Place · 1988

Mike Stern's defining fusion tone — the Time in Place album captures his Telecas

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Little Buttercup

Upside Downside · 1986

Stern's debut album and his most exploratory solo work — a lighter, more open to

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Blue Kind

Standards (and Other Songs) · 1992

Stern applying his Marshall-Telecaster setup to jazz standards — Blue Kind demon

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Hang

Voices · 1997

Fusion crunch — Stern's Yamaha Pacifica or Fender Telecaster through a Soldano c

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Chromazone

Upside Downside · 1986

Miles Davis band alumni fusion — the record that introduced Stern to a wider aud

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