Misha Mansoor

Jetpacks Was Yes!

Misha Mansoor · Periphery · 2010

What Makes This Sound Unique

The debut album djent tone — rawer and more aggressive than later recordings. The Axe-Fx Ultra is less refined than the II but the fundamental palm-muted polytonal attack that defined the genre is fully formed. Heavier on the distortion, slightly less scooped.

  1. 1PRS Custom 24 or early Ibanez (6-string on parts)
  2. 2Fractal Audio Axe-Fx Ultra
  3. 3Maxon OD808 (boost into the Axe-Fx for extra definition)
Gain / Volume9
Bass5
Mid5
Treble7
Presence7

Early Periphery tone is slightly less refined — more raw Marshall-into-Mesa energy before the heavily filtered modern djent sound was codified. The OD808 into the front of the Axe-Fx tightens the attack and adds pick definition that would otherwise be lost at high gain.

How to Play It

The debut album showcases Mansoor's rhythmic intelligence more than technical speed — the riffs are about syncopation and unexpected accent placement rather than sheer velocity. The 6-string sections show a classic rock influence the later djent approach doesn't always reveal.

Achievable With

6 or 7-string guitar → Maxon OD808 (boss turned up, drive low) → Neural DSP Parallax or Omega Ampworks sim → high-pass at 100Hz in DAW.

Adapt to My Amp

Other Song Rigs

Scarlet

Periphery II: This Time It's Personal · 2012

Periphery's most beloved track and the definitive djent guitar tone — Misha's Ax

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Ragnarok

Periphery · 2010

The debut album opener — Misha's first major released recording of the tone he h

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Make Total Destroy

Periphery II: This Time It's Personal · 2012

The heaviest Periphery track — the djent tone pushed to its extreme with the low

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Omega

Periphery III: Select Difficulty · 2016

Mansoor's most refined djent tone — the 7-string Juggernaut into an Axe-Fx II cr

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Have a Blast

Periphery II: This Time It's Personal · 2012

Progressive djent at its most melodic — Mansoor shows the clean side of the Peri

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