Misha Mansoor

Ragnarok

Misha Mansoor · Periphery · 2010

What Makes This Sound Unique

The debut album opener — Misha's first major released recording of the tone he had been developing online for years before Periphery signed to a label. The debut album tone is slightly rawer than the Periphery II recordings, with less refined Axe-Fx dialing but the same fundamental djent approach.

  1. 1Ibanez 7-string (DiMarzio Ionizer or similar)
  2. 2Fractal Audio Axe-Fx Ultra (first generation)
  3. 3Cab IR simulation
Gain / Volume9
Bass5
Mid4
Treble7
Presence9

Similar to Scarlet but slightly less refined — the debut album Axe-Fx presets were the first generation of Misha's tone development and have marginally less low-end tightness than the refined Periphery II tones.

How to Play It

Polyrhythmic riffing over syncopated odd-time — Ragnarok uses riffs where the 7-string's lowest string chugs in a pattern that doesn't align with the drum's time signature, creating the polyrhythmic tension central to progressive metal.

Achievable With

7-string guitar → Fractal Axe-Fx or high-gain plugin → the polyrhythm requires understanding how your riff pattern aligns (or doesn't align) with the underlying pulse. Practice counting the riff against a metronome in standard 4/4 before applying it over unusual drum patterns.

Adapt to My Amp

Other Song Rigs

Scarlet

Periphery II: This Time It's Personal · 2012

Periphery's most beloved track and the definitive djent guitar tone — Misha's Ax

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Make Total Destroy

Periphery II: This Time It's Personal · 2012

The heaviest Periphery track — the djent tone pushed to its extreme with the low

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Omega

Periphery III: Select Difficulty · 2016

Mansoor's most refined djent tone — the 7-string Juggernaut into an Axe-Fx II cr

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Jetpacks Was Yes!

Periphery · 2010

The debut album djent tone — rawer and more aggressive than later recordings. Th

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Have a Blast

Periphery II: This Time It's Personal · 2012

Progressive djent at its most melodic — Mansoor shows the clean side of the Peri

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