Steve Cropper

Soul Man

Steve Cropper · Soul Man · 1967

What Makes This Sound Unique

The sound of Stax Records — Cropper's Telecaster through a clean Fender amp produces the defining Memphis soul guitar tone. Every note is tight, articulate and rhythmically locked into the groove. No excess sustain, no lead hero moments — just service to the song.

  1. 1Fender Telecaster (neck pickup or middle position)
  2. 2Fender Twin Reverb or Showman (clean)
Gain / Volume2
Bass5
Mid7
Treble7

Virtually clean with a slight mid bump — the Stax sound is all about midrange presence and rhythmic precision. Cropper rarely pushed his amp into breakup.

How to Play It

Punctuated chord stabs on the upbeats and rests — the Memphis soul guitar "chop" technique that defined soul and funk rhythm guitar for a generation.

Achievable With

Fender Telecaster (neck pickup) → Fender Blues Junior at bedroom volume → control dynamics with pick attack. The Telecaster is essential; humbuckers are too thick.

Adapt to My Amp

Other Song Rigs

Green Onions

Green Onions · 1962

The most famous organ-guitar instrumental in American music — Cropper's Telecast

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In the Midnight Hour

In the Midnight Hour · 1965

The Wilson Pickett classic that Cropper co-wrote in a Miami hotel room — the Sta

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(Sittin' On) The Dock of the Bay

The Dock of the Bay · 1968

Co-written by Cropper and Otis Redding in days before Redding's death — Cropper'

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Knock on Wood

Knock on Wood · 1966

Cutting and percussive — Cropper's Telecaster riff on this Eddie Floyd track is

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634-5789 (Soulsville, U.S.A.)

Have You Seen Her? · 1966

Call-and-response soul guitar — Cropper plays a conversational role against Wils

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