The Edge

Sunday Bloody Sunday

The Edge · War · 1983

What Makes This Sound Unique

Harder-edged than The Joshua Tree work — less delay-dependent, more rhythmically aggressive. The Edge uses a slightly overdriven Vox with a more direct, percussive approach that suits the martial drumming.

  1. 1Gibson Explorer (bridge pickup)
  2. 2Vox AC30 (light overdrive)
  3. 3Boss CE-1 Chorus
  4. 4Korg SDD-3000 (shorter delay, 190ms)
Gain / Volume5
Bass6
Mid7
Treble7
Presence6

More amp gain than the Joshua Tree setup — Sunday Bloody Sunday needs rhythmic aggression, not shimmer. The AC30 pushed slightly into crunch, with the chorus adding width without softening the attack.

How to Play It

Hard, rhythmic pick strokes with minimal delay to emphasise the rhythmic pattern — the song's power comes from the locked guitar-drum groove, not the ambient delay washes.

Achievable With

Any guitar + Vox-style amp at light crunch + chorus pedal (Boss CE-5 or MXR Chorus) + optional short delay. Much simpler setup than Joshua Tree-era Edge.

Other Song Rigs

Where the Streets Have No Name

The Joshua Tree · 1987

The most iconic delay-driven guitar tone in rock — a dotted-eighth note delay sy

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One

Achtung Baby · 1991

Achtung Baby marked a change in Edge's approach — less Vox AC30, more distorted

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