The Edge

Where the Streets Have No Name

The Edge · The Joshua Tree · 1987

What Makes This Sound Unique

The most iconic delay-driven guitar tone in rock — a dotted-eighth note delay synced to the tempo creates a cascading, interlocking pattern that seems more complex than the underlying part. The Vox AC30 provides a bright, chimey clean base.

  1. 1Gibson Explorer (or Fender Stratocaster)
  2. 2Korg SDD-3000 delay (dotted-eighth sync, 380ms)
  3. 3MXR Dynacomp compressor
  4. 4Vox AC30 (top-boost, clean)
  5. 5Boss CE-1 Chorus
Gain / Volume3
Bass5
Mid6
Treble7
Presence6

The amp is kept clean — the delay and compressor do all the tonal work. Top-boost channel with moderate treble. The MXR Dynacomp before the amp adds sustain and keeps level consistent through the delay repeats.

How to Play It

Set your delay to dotted-eighth notes (75% of quarter note duration) synced to the song's tempo. Play simple quarter-note phrases — the delay fills in the rhythmic gaps, creating the illusion of a complex pattern.

Achievable With

Any guitar + Boss DD-8 or TC Electronic Flashback (set dotted-eighth subdivision) + any clean amp. Compressor before delay is important to keep the repeats even.

Other Song Rigs

Sunday Bloody Sunday

War · 1983

Harder-edged than The Joshua Tree work — less delay-dependent, more rhythmically

View rig →

One

Achtung Baby · 1991

Achtung Baby marked a change in Edge's approach — less Vox AC30, more distorted

View rig →
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