
RockBlues-Rock1960s–present
Keith Richards — £1,000 · Pro-Level Rig
Open G tuned Fender Telecaster "Micawber" (low E string removed, 5 strings) into a small Fender or Tweed-style amp at the edge of natural saturation. No pedals on most recordings — the amp's breakup does the work. Warm, slightly compressed and honky with natural bite from the Tele bridge pickup.
Signal Path
Signal Chain
Full signal path
GuitarFender Player
AmpKatana 100
Full Gear List
£1,000 · Pro-Level — Complete Rig
Tone Tips
Getting the Sound Right
- Open G tuning: remove the low E string entirely — GDGBD from low to high
- Bar the 5th fret with your index finger in open G to play a C chord, open strings ring freely
- Tele bridge pickup at moderate amp gain creates the essential raw, slightly nasty quality
- No overdrive pedals needed — chase natural amp saturation from volume
- Keith's rhythm sits slightly behind the beat with a rolling, swinging quality
- Capo at the 2nd fret in open G to play in A (Brown Sugar, Honky Tonk Women)
- Open strings ringing against fretted notes create the signature jangly texture
- Amp EQ: treble 7, mid 6, bass 4 — bright but not harsh
Avoid These Pitfalls
Common Mistakes When Chasing This Tone
- Setting the TS9 gain above 5 into a clean amp — at high gain settings the TS becomes a distortion pedal that colours the tone heavily. Below 4, it's a boost and focus pedal. Single coils into a TS above 5 gets nasal and harsh
- Ignoring the neck pickup position as a usable tone — the neck pickup on a Tele produces a warm, jazz-like sound completely unlike the bridge. It is not an afterthought.
- Setting bass too high on a Fender spring reverb amp — at high bass settings the reverb tank produces a "booming" quality that muddies the tone. Start with bass at 4-5.
- Adding compression to fix flat clean tone — a flat, lifeless clean tone usually means the amp gain or presence is wrong, not that compression is needed. Compression on a flat tone just makes it louder.
- Choosing a pick that is too heavy — thin to medium picks give edge noise and articulation that heavier picks smooth away. That edge is part of the sound.
- Setting amp gain at 5 or higher — blues tone lives at the edge of breakup (gain 3-4), not in full saturation. High gain compresses away all the dynamic feel.
Tone Profile
Keith Richards's Sound
Open G tuned Fender Telecaster "Micawber" (low E string removed, 5 strings) into a small Fender or Tweed-style amp at the edge of natural saturation. No pedals on most recordings — the amp's breakup does the work. Warm, slightly compressed and honky with natural bite from the Tele bridge pickup.

