Keith Richards
RockBlues-Rock1960s–present

Keith Richards£500 · Sweet Spot Rig

Open G tuned Fender Telecaster "Micawber" (low E string removed, 5 strings) into a small Fender or Tweed-style amp at the edge of natural saturation. No pedals on most recordings — the amp's breakup does the work. Warm, slightly compressed and honky with natural bite from the Tele bridge pickup.

Total: ~£4973 pieces

Signal Chain

Full signal path

GuitarSquier Classic
ODBoss SD-1
AmpKatana 50

£500 · Sweet Spot — Complete Rig

Squier Classic Vibe 60s Telecaster — Guitar
Boss Katana 50 MkII — Amp
Estimated total~£497

Getting the Sound Right

  • Open G tuning: remove the low E string entirely — GDGBD from low to high
  • Bar the 5th fret with your index finger in open G to play a C chord, open strings ring freely
  • Tele bridge pickup at moderate amp gain creates the essential raw, slightly nasty quality
  • No overdrive pedals needed — chase natural amp saturation from volume
  • Keith's rhythm sits slightly behind the beat with a rolling, swinging quality
  • Capo at the 2nd fret in open G to play in A (Brown Sugar, Honky Tonk Women)
  • Open strings ringing against fretted notes create the signature jangly texture
  • Amp EQ: treble 7, mid 6, bass 4 — bright but not harsh

Common Mistakes When Chasing This Tone

  • Setting the TS9 gain above 5 into a clean amp — at high gain settings the TS becomes a distortion pedal that colours the tone heavily. Below 4, it's a boost and focus pedal. Single coils into a TS above 5 gets nasal and harsh
  • Ignoring the neck pickup position as a usable tone — the neck pickup on a Tele produces a warm, jazz-like sound completely unlike the bridge. It is not an afterthought.
  • Setting bass too high on a Fender spring reverb amp — at high bass settings the reverb tank produces a "booming" quality that muddies the tone. Start with bass at 4-5.
  • Adding compression to fix flat clean tone — a flat, lifeless clean tone usually means the amp gain or presence is wrong, not that compression is needed. Compression on a flat tone just makes it louder.
  • Choosing a pick that is too heavy — thin to medium picks give edge noise and articulation that heavier picks smooth away. That edge is part of the sound.
  • Setting amp gain at 5 or higher — blues tone lives at the edge of breakup (gain 3-4), not in full saturation. High gain compresses away all the dynamic feel.

Keith Richards's Sound

Open G tuned Fender Telecaster "Micawber" (low E string removed, 5 strings) into a small Fender or Tweed-style amp at the edge of natural saturation. No pedals on most recordings — the amp's breakup does the work. Warm, slightly compressed and honky with natural bite from the Tele bridge pickup.