Adam Jones

Lateralus

Adam Jones · Lateralus · 2001

What Makes This Sound Unique

The title track of Tool's masterpiece — Adam's tone reaches its most layered and orchestral expression. The Mesa Boogie Dual Rectifier produces a dense, thick distortion that functions like a string section in the arrangement rather than a conventional rock guitar. The guitar riff is built on Fibonacci sequence timing.

  1. 1Gibson Les Paul Custom (Silverburst, EMG 81 bridge)
  2. 2Mesa Boogie Dual Rectifier (Modern mode)
  3. 3Marshall 4×12 with Vintage 30 speakers
  4. 4Boss TU-2 → Dunlop Cry Baby → no other effects
Gain / Volume9
Bass7
Mid4
Treble7
Presence7

Adam's classic mid-scooped Rectifier tone — deeply scooped mids allow the bass guitar and vocals to sit in the midrange while the guitar occupies the low and high frequency bands. The Modern mode adds more compression and saturation than Vintage mode.

How to Play It

Polyrhythmic riff construction — the Lateralus main riff cycles through 9/8, 8/8, and 7/8 time signatures, creating a meter that never quite settles. Adam plays the riff with consistent attack and no dynamic variation, letting the time signature create the tension.

Achievable With

Les Paul with EMG 81 → Mesa Dual Rectifier or Peavey 5150 → aggressive mid-scoop on EQ → no reverb or delay. The Rectifier is difficult to replicate; the Peavey 5150 gets closest.

Adapt to My Amp

Other Song Rigs

Schism

Lateralus · 2001

Mathematical, patient, and thick — Schism opens in 5/4 time with a clean-to-mild

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Sober

Undertow · 1993

Tool's first major statement — a heavy, midrange-forward riff with a clean choru

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Forty Six & 2

Ænima · 1996

One of the most satisfying heavy riffs ever written — a mid-tempo groove in an o

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Parabola

Lateralus · 2001

The heavy second half of the Parabol/Parabola suite — full Mesa Rectifier distor

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Stinkfist

Ænima · 1996

The Aenima opener and one of Tool's most recognizable songs — Adam's distortion

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