B.B. King

Every Day I Have the Blues

B.B. King · Live at the Regal · 1965

What Makes This Sound Unique

BB King live — the Regal Theatre recording captures his peak-era tone: raw, warm, and deeply expressive. The single-note phrasing with spaces between phrases is as important as the notes themselves.

  1. 1Gibson ES-335 (early Lucille)
  2. 2Gibson GA-40 Les Paul amp
Gain / Volume5
Bass6
Mid6
Treble5
Presence3

Gibson GA-40 — a relatively obscure amp but King's choice for much of the 1960s. Warm, mid-focused, with no harsh top end. Very little presence or treble, creating the smooth, singing quality.

How to Play It

The spaces between phrases — BB King famously lets notes breathe and decay completely before playing the next phrase. Count the rests as carefully as you count the notes.

Achievable With

Any warm-voiced clean amp (Fender Blues Junior, any combo with a smooth top-end) + a semi-hollow or hollow guitar. The approach (restraint, single notes, spaces) is the entire skill set.

Other Song Rigs

The Thrill Is Gone

Completely Well · 1969

BB King's most famous tone — Lucille (a Gibson ES-335 variant) into a Lab Series

View rig →
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