B.B. King

The Thrill Is Gone

B.B. King · Completely Well · 1969

What Makes This Sound Unique

BB King's most famous tone — Lucille (a Gibson ES-335 variant) into a Lab Series L5 amp, with the guitar's unique suspension system preventing feedback at stage volume. Warm, singing, and never harsh. The string bends and vibrato carry more emotional content than any effect.

  1. 1Gibson Lucille (ES-355 custom, no f-holes, semi-hollow)
  2. 2Fender Bassman (original recording) or Lab Series L5
  3. 3No effects whatsoever
Gain / Volume4
Bass6
Mid6
Treble5
Presence4

Very clean, very warm — BB King never used overdrive or distortion effects. The warmth comes from the semi-hollow body and a moderate, non-saturating amp level. Presence and treble kept low for smoothness.

How to Play It

BB King's vibrato is unique: he shakes the note from side to side (parallel to the fret) rather than bending up and down — this creates a distinctive warble. He also rarely plays more than one note at a time, letting each note speak fully.

Achievable With

Any semi-hollow or hollow guitar with a warm pickup + any clean Fender-style amp. The technique (side-to-side vibrato) is the defining characteristic — without it, you have the gear but not the tone.

Other Song Rigs

Every Day I Have the Blues

Live at the Regal · 1965

BB King live — the Regal Theatre recording captures his peak-era tone: raw, warm

View rig →
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