Charlie Christian

Air Mail Special

Charlie Christian · Benny Goodman Orchestra · 1941

What Makes This Sound Unique

One of the fastest guitar solos in jazz history at the time — Christian's tone at full orchestra volume shows the ES-150's ability to project at the dynamic level of a big band. The tone is warmer and rounder than a trumpet or saxophone but with the same volume and presence, proving the guitar's viability as a solo instrument.

  1. 1Gibson ES-150
  2. 2Gibson EH-150
Gain / Volume3
Bass6
Mid7
Treble6

Full orchestra context — the amp is likely turned up as much as possible for the big band setting. The warm, bar-pickup tone remains consistent regardless of volume setting, which is one of the ES-150's characteristic traits.

How to Play It

Speed picking at full swing tempo — Air Mail Special is one of the fastest bebop-adjacent solos recorded before the bebop era. Christian's alternate picking at full tempo demonstrates the physical technique that defined how jazz guitar would be played for the next 50 years.

Achievable With

Any archtop or jazz guitar → clean amp → practice alternate picking at medium jazz swing tempo (120 BPM) → gradually increase. The tone is simple; the tempo discipline is the challenge.

Adapt to My Amp

Other Song Rigs

Solo Flight

Solo Flight — The Genius of Charlie Christian · 1941

The recording that proved the electric guitar was a lead instrument — Christian

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Seven Come Eleven

Benny Goodman Sextet · 1939

The Benny Goodman Sextet recording that introduced Christian's guitar tone to a

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Honeysuckle Rose

Live at Minton's Playhouse · 1941

Loud and swinging — the Minton's recordings capture Christian in a small club at

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Flying Home

Solo Flight: The Genius of Charlie Christian · 1939

Big band swing electric — Christian's guitar cuts through the Benny Goodman band

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Grand Slam

The Genius of the Electric Guitar · 1939

Confident and swinging — one of Christian's most outgoing performances. The ES-1

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