Charlie Christian

Honeysuckle Rose

Charlie Christian · Live at Minton's Playhouse · 1941

What Makes This Sound Unique

Loud and swinging — the Minton's recordings capture Christian in a small club at high volume for the era. The ES-150's single pickup through a loud amp has a particular thickness and warmth that defined electric jazz guitar for a decade.

  1. 1Gibson ES-150 (Charlie Christian bar pickup)
  2. 2Gibson EH-150 amplifier (all original)
Gain / Volume5
Bass6
Mid7
Treble6

The EH-150 amp is a simple single-channel design — Christian ran it relatively loud to compete with the horn players at Minton's. The bar pickup has a strong midrange emphasis.

How to Play It

Single-string bop lines at bebop tempos — Christian was among the first to apply wind instrument phrasing to the electric guitar, playing long lines across bar lines rather than guitar-idiomatic positions.

Achievable With

Any archtop with a bar or floating pickup → small tube combo (Fender Champ or Blues Junior at low volume). The Gibson ES-125 or Epiphone Casino gets the historic character.

Adapt to My Amp

Other Song Rigs

Solo Flight

Solo Flight — The Genius of Charlie Christian · 1941

The recording that proved the electric guitar was a lead instrument — Christian

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Seven Come Eleven

Benny Goodman Sextet · 1939

The Benny Goodman Sextet recording that introduced Christian's guitar tone to a

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Air Mail Special

Benny Goodman Orchestra · 1941

One of the fastest guitar solos in jazz history at the time — Christian's tone a

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Flying Home

Solo Flight: The Genius of Charlie Christian · 1939

Big band swing electric — Christian's guitar cuts through the Benny Goodman band

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Grand Slam

The Genius of the Electric Guitar · 1939

Confident and swinging — one of Christian's most outgoing performances. The ES-1

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