Charlie Christian

Grand Slam

Charlie Christian · The Genius of the Electric Guitar · 1939

What Makes This Sound Unique

Confident and swinging — one of Christian's most outgoing performances. The ES-150 has a round, full tone that sits comfortably in the band mix without competing. Every note is placed with rhythmic conviction.

  1. 1Gibson ES-150
  2. 2Gibson EH-150 amplifier
Gain / Volume3
Bass6
Mid7
Treble6

Clean with moderate midrange — the EH-150 is a simple single-ended amp, and Christian used it to stay just short of breakup while being loud enough to project.

How to Play It

Swing eighth-note phrasing with bebop chromaticism beginning to appear — Grand Slam shows Christian transitioning from pure swing vocabulary toward the chromatic language that would become bebop.

Achievable With

Hollowbody archtop → Fender Champ or Blues Junior at low volume. The vintage warmth of a tube amp at low power matches the EH-150 character.

Adapt to My Amp

Other Song Rigs

Solo Flight

Solo Flight — The Genius of Charlie Christian · 1941

The recording that proved the electric guitar was a lead instrument — Christian

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Seven Come Eleven

Benny Goodman Sextet · 1939

The Benny Goodman Sextet recording that introduced Christian's guitar tone to a

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Air Mail Special

Benny Goodman Orchestra · 1941

One of the fastest guitar solos in jazz history at the time — Christian's tone a

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Honeysuckle Rose

Live at Minton's Playhouse · 1941

Loud and swinging — the Minton's recordings capture Christian in a small club at

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Flying Home

Solo Flight: The Genius of Charlie Christian · 1939

Big band swing electric — Christian's guitar cuts through the Benny Goodman band

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