Charlie Christian

Flying Home

Charlie Christian · Solo Flight: The Genius of Charlie Christian · 1939

What Makes This Sound Unique

Big band swing electric — Christian's guitar cuts through the Benny Goodman band with a confident, mid-forward tone. The pickup output is strong enough to project over horns at the volume levels of the era without distortion.

  1. 1Gibson ES-150 (Charlie Christian pickup, neck position)
  2. 2Gibson EH-150 amplifier
Gain / Volume4
Bass5
Mid8
Treble6

Mid-heavy to project over the big band. Christian did not yet have the luxury of PA reinforcement — the guitar had to speak for itself in a large room against 15+ musicians.

How to Play It

Big-band single-note comping and soloing — Christian played both comping and solo roles, establishing vocabulary that became the basis of bebop guitar.

Achievable With

Archtop semi-hollow (Epiphone Casino or Sheraton) → small clean tube amp with mids boosted. An MXR M109S graphic EQ can dial in the mid-forward character.

Adapt to My Amp

Other Song Rigs

Solo Flight

Solo Flight — The Genius of Charlie Christian · 1941

The recording that proved the electric guitar was a lead instrument — Christian

View rig →

Seven Come Eleven

Benny Goodman Sextet · 1939

The Benny Goodman Sextet recording that introduced Christian's guitar tone to a

View rig →

Air Mail Special

Benny Goodman Orchestra · 1941

One of the fastest guitar solos in jazz history at the time — Christian's tone a

View rig →

Honeysuckle Rose

Live at Minton's Playhouse · 1941

Loud and swinging — the Minton's recordings capture Christian in a small club at

View rig →

Grand Slam

The Genius of the Electric Guitar · 1939

Confident and swinging — one of Christian's most outgoing performances. The ES-1

View rig →
← All C. Christian SongsSound Like C. ChristianAmp Settings →