John Scofield

I'll Say We're Done

John Scofield · A Go Go · 1998

What Makes This Sound Unique

Modern soul-funk with controlled crunch — the A Go Go album (with Medeski Martin & Wood) finds Scofield's tone more raw and slightly dirtier. The note attack is more aggressive than his Blue Matter era, suited to the organ trio format.

  1. 1Ibanez AS200
  2. 2Fender Deluxe Reverb (pushed harder than usual)
  3. 3Ibanez WH-10 wah (used on sections)
Gain / Volume6
Bass5
Mid7
Treble7

More amp drive than typical Scofield — the organ trio context demands a more cutting guitar presence. The wah adds frequency sweeps that work with the MMW keyboard textures.

How to Play It

Wah-inflected single-note lines that interact with the organ improvisation — Scofield treats the wah as a compositional tool, not just an effect.

Achievable With

ES-335 or Ibanez AS200 → Fender Deluxe Reverb at 7 → Dunlop Cry Baby 535Q wah or Ibanez WH-10 clone.

Adapt to My Amp

Other Song Rigs

Still Warm

Still Warm · 1986

Scofield's most critically acclaimed solo album — the title track presents his e

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Not You Again

Uberjam · 2002

The Uberjam era Scofield — his most overtly funk and loop-based recording, where

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Wabash III A.M.

Loud Jazz · 1987

The Loud Jazz album's most atmospheric track — Scofield's blues and country infl

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Chank

Überjam · 2002

Funky and gritty with an overdriven semi-hollow character — Scofield's Ibanez AS

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Blue Matter

Blue Matter · 1987

Groovy and mid-range focused — Scofield with Miles Davis alumni producing a deep

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