John Scofield

Wabash III A.M.

John Scofield · Loud Jazz · 1987

What Makes This Sound Unique

The Loud Jazz album's most atmospheric track — Scofield's blues and country influences come forward here, with a slower, more spacious approach than the dense Still Warm material. The Ibanez and Mesa combination produces a warm, slightly bluesy tone appropriate to the late-night feel the title suggests.

  1. 1Ibanez AS200
  2. 2Mesa Boogie (moderate gain)
Gain / Volume5
Bass6
Mid8
Treble6
Reverb4

Warm and slightly reverberant — the 3 AM title suggests a late-night, ambient quality that the reverb supports. Slightly more sustain than the brighter Still Warm period.

How to Play It

Blues-influenced jazz phrasing at slow tempo — Wabash III A.M. shows Sco drawing on country and blues sources for melodic vocabulary, bending notes in ways that jazz guitarists rarely use, and placing phrases with the deliberate timing of blues rather than bebop.

Achievable With

AS200 → Mesa at moderate gain → spring or room reverb → practice incorporating string bends into jazz phrase construction: instead of arriving at a chord tone by step or leap, bend into it from a half-step below.

Adapt to My Amp

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Still Warm

Still Warm · 1986

Scofield's most critically acclaimed solo album — the title track presents his e

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Not You Again

Uberjam · 2002

The Uberjam era Scofield — his most overtly funk and loop-based recording, where

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Chank

Überjam · 2002

Funky and gritty with an overdriven semi-hollow character — Scofield's Ibanez AS

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Blue Matter

Blue Matter · 1987

Groovy and mid-range focused — Scofield with Miles Davis alumni producing a deep

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I'll Say We're Done

A Go Go · 1998

Modern soul-funk with controlled crunch — the A Go Go album (with Medeski Martin

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