John Scofield

Not You Again

John Scofield · Uberjam · 2002

What Makes This Sound Unique

The Uberjam era Scofield — his most overtly funk and loop-based recording, where the guitar works within electronic loops and beats rather than a conventional jazz rhythm section. The tone is dirtier and more distorted than the Still Warm period, adding a raw edge appropriate to the electronic music context.

  1. 1Ibanez AS200
  2. 2Mesa Boogie (more drive than Still Warm)
  3. 3Boss RE-20 Space Echo
  4. 4Wah pedal (Dunlop Cry Baby)
Gain / Volume6
Bass5
Mid8
Treble7
Presence6

More gain than the acoustic jazz period — Uberjam responds to the electronic production environment with a dirtier, more aggressive guitar tone. The wah adds the funk flavour appropriate to the dance music context.

How to Play It

Funk guitar over electronic loops — Sco adapts his jazz phrasing to loop-based accompaniment: shorter, more rhythmically punchy phrases that work with the electronic beat rather than the conversational flow of a jazz trio.

Achievable With

AS200 or ES-335 → Mesa Boogie at medium-high drive → wah pedal → Loop station → practice playing short, rhythmically decisive phrases over your own loop: 2–4 beat melodic cells rather than extended streaming bebop lines.

Adapt to My Amp

Other Song Rigs

Still Warm

Still Warm · 1986

Scofield's most critically acclaimed solo album — the title track presents his e

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Wabash III A.M.

Loud Jazz · 1987

The Loud Jazz album's most atmospheric track — Scofield's blues and country infl

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Chank

Überjam · 2002

Funky and gritty with an overdriven semi-hollow character — Scofield's Ibanez AS

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Blue Matter

Blue Matter · 1987

Groovy and mid-range focused — Scofield with Miles Davis alumni producing a deep

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I'll Say We're Done

A Go Go · 1998

Modern soul-funk with controlled crunch — the A Go Go album (with Medeski Martin

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