John Scofield

Still Warm

John Scofield · Still Warm · 1986

What Makes This Sound Unique

Scofield's most critically acclaimed solo album — the title track presents his electric guitar tone in the Miles Davis post-fusion context. The Ibanez AS200 through a clean-to-light-overdrive setup produces a warm, slightly funky tone with more note-texture than pure clean jazz guitar.

  1. 1Ibanez AS200 semi-hollow (humbuckers)
  2. 2Acoustic Control amp or Mesa Boogie (clean channel)
  3. 3Electro-Harmonix Micro Synth (occasional)
  4. 4Arion Stereo Chorus
Gain / Volume4
Bass5
Mid8
Treble6
Reverb3

Slightly driven, mid-heavy — Sco's tone has a characteristic warmth and slight compression that comes from the semi-hollow guitar's natural acoustic resonance combined with moderate amp drive. The elevated mids give his single notes a vocal, nasal quality.

How to Play It

Jazz-rock fusion phrasing with blues influence — Scofield uses jazz-derived scale choices (altered dominant, diminished) but applies them with the rhythmic phrasing of blues guitar rather than bebop's metronomic eighth-note streams.

Achievable With

Ibanez AS200 or ES-335 → Mesa Boogie or any medium-clean amp → Arion or Boss chorus → the nasal mid-forward quality comes from the semi-hollow guitar's resonance combined with amp settings that boost 800Hz–1.5kHz.

Adapt to My Amp

Other Song Rigs

Not You Again

Uberjam · 2002

The Uberjam era Scofield — his most overtly funk and loop-based recording, where

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Wabash III A.M.

Loud Jazz · 1987

The Loud Jazz album's most atmospheric track — Scofield's blues and country infl

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Chank

Überjam · 2002

Funky and gritty with an overdriven semi-hollow character — Scofield's Ibanez AS

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Blue Matter

Blue Matter · 1987

Groovy and mid-range focused — Scofield with Miles Davis alumni producing a deep

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I'll Say We're Done

A Go Go · 1998

Modern soul-funk with controlled crunch — the A Go Go album (with Medeski Martin

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