Josh Homme

Sick Sick Sick

Josh Homme · Era Vulgaris · 2007

What Makes This Sound Unique

Fuzz-saturated, baritone-influenced heaviness — Homme tunes down and uses more fuzz on Era Vulgaris than earlier records. The tone is more aggressive and buzzing than the smooth stoner rock of Rated R or Songs for the Deaf. The wah is used rhythmically as a filter.

  1. 1Gibson Flying V (down-tuned)
  2. 2Dunlop Cry Baby (used rhythmically, parked or swept)
  3. 3high-gain amp (Marshall or Mesa)
  4. 4germanium fuzz
Gain / Volume8
Bass6
Mid7
Treble6
Presence6

Higher gain than most QOTSA material — Era Vulgaris was heavier and more aggressive. Mid-forward EQ maintained. Wah adds harmonic complexity when swept rhythmically on the main riff. Fuzz before amp for the buzzing character.

How to Play It

Rhythmic wah sweeps coordinated with the riff rhythm — the wah is used as a rhythmic accent, not a lead solo effect. Tight palm muting on the lowest strings contrasts with the open wah sweep on upper strings.

Achievable With

Any humbucker guitar down-tuned → germanium fuzz → Dunlop Cry Baby → any high-gain amp with mid-forward EQ.

Adapt to My Amp

Other Song Rigs

No One Knows

Songs for the Deaf · 2002

Songs for the Deaf was recorded with Homme's "Desert Session" approach — loud, d

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Go with the Flow

Songs for the Deaf · 2002

Go with the Flow is the most accessible QOTSA track and a perfect example of Hom

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The Lost Art of Keeping a Secret

Rated R · 2000

Rated R was the album where Homme fully crystallised the desert rock aesthetic —

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Little Sister

…Like Clockwork · 2013

Swagger-driven stoner rock groove — the tone is slightly warmer and more vintage

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3's & 7's

Era Vulgaris · 2007

One of the most purely riff-centric QOTSA tracks — the main figure is an odd-tim

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