Keith Richards

Brown Sugar

Keith Richards · Sticky Fingers · 1971

What Makes This Sound Unique

Open G at its most groove-driven — Sticky Fingers captures Richards' five-string open G tuning locked with Charlie Watts' drumming at exactly the right tempo. The rhythm interlock between guitar and drums defines the Stones' feel; the tone itself is relatively clean and punchy.

  1. 1Gibson Les Paul Custom (open G tuning — low E string removed)
  2. 2Fender Twin Reverb or Ampeg (studio)
Gain / Volume5
Bass7
Mid6
Treble7

Relatively clean amp — Richards lets the natural resonance of open G do the tonal work. The chord stabs need definition and rhythmic attack, not fuzz saturation. Edge of breakup at most.

How to Play It

No bass E string, open G tuning, downstroke chord stabs. Richards plays so that his rhythm and Charlie Watts' hi-hat become one instrument — the guitar is rhythmically inseparable from the drum groove.

Achievable With

Any guitar in open G (five strings, low E removed) + clean or mildly overdriven amp. No specific pedals required — the tuning and the groove feel are the entire approach.

Other Song Rigs

(I Can't Get No) Satisfaction

Out of Our Heads · 1965

The accidental invention of fuzz rock — Richards recorded the riff as a placehol

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Jumpin' Jack Flash

Single · 1968

The "cassette recorder sound" — Richards recorded the guitar through a cheap cas

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