Keith Richards

(I Can't Get No) Satisfaction

Keith Richards · Out of Our Heads · 1965

What Makes This Sound Unique

The accidental invention of fuzz rock — Richards recorded the riff as a placeholder demo, intending it to be replaced by a horn part. The Maestro FZ-1A Fuzz-Tone into a clean Fender amp produced a buzzing, aggressive tone nobody had heard on a pop record. The band liked it and kept it.

  1. 1Fender guitar (likely Telecaster)
  2. 2Maestro Fuzz-Tone FZ-1A (the original consumer fuzz pedal)
  3. 3Fender amp (clean platform)
Gain / Volume3
Bass6
Mid6
Treble7

Amp stays completely clean — every ounce of distortion comes from the Maestro FZ-1A. The FZ-1A has a thinner, buzzier character than later fuzz pedals; it does not sustain notes the way a Big Muff does. The amp just provides a clean, full-range platform.

How to Play It

The riff is deceptively simple — a repeating two-bar pattern in E. What makes it iconic is the aggressive rhythmic attack and the stark economy of the two-note melody against the fuzz texture. No ornamentation whatsoever.

Achievable With

Any fuzz pedal into a clean amp. An Electro-Harmonix Green Russian Big Muff or Z.Vex Fuzz Factory approximates the thinner FZ-1A character better than a standard Big Muff Pi.

Other Song Rigs

Jumpin' Jack Flash

Single · 1968

The "cassette recorder sound" — Richards recorded the guitar through a cheap cas

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Brown Sugar

Sticky Fingers · 1971

Open G at its most groove-driven — Sticky Fingers captures Richards' five-string

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