Keith Richards

Jumpin' Jack Flash

Keith Richards · Single · 1968

What Makes This Sound Unique

The "cassette recorder sound" — Richards recorded the guitar through a cheap cassette deck to achieve a compressed, frequency-limited, saturated quality that no amp could produce the same way. Open G tuning with the low E string removed gives the riff its five-string chord voicing.

  1. 1Gibson Flying V or Les Paul (open G tuning — low E string removed)
  2. 2Cassette recorder (mic'd for intentional lo-fi saturation)
  3. 3Vox AC30 (live performances)
Gain / Volume8
Bass7
Mid7
Treble7

The studio tone is intentionally lo-fi — tape saturation and frequency limiting from the cassette method create the boxy, aggressive character. For live use, a cranked Vox AC30 or Fender amp in open G is the closest approximation.

How to Play It

Open G tuning with the low E string removed (remaining strings tuned G-D-G-B-D). Standard barre chord shapes sound completely different in this tuning. Full downstroke rhythm; the power comes from the tuning and attack, not technique complexity.

Achievable With

Any guitar retuned to open G (five strings, low E removed) + driven amp or light overdrive. The tuning does 80% of the work — the same shapes in standard tuning sound nothing like this.

Other Song Rigs

(I Can't Get No) Satisfaction

Out of Our Heads · 1965

The accidental invention of fuzz rock — Richards recorded the riff as a placehol

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Brown Sugar

Sticky Fingers · 1971

Open G at its most groove-driven — Sticky Fingers captures Richards' five-string

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