Kim Thayil

Burden in My Hand

Kim Thayil · Down on the Upside · 1996

What Makes This Sound Unique

Soundgarden's most commercial-adjacent single from their final album — Kim uses a cleaner, more open-sounding tone than his typical SG/Marshall setup. The acoustic intro transitions to an electric tone that is warmer and less distorted than Superunknown, reflecting the more restrained production of the final album.

  1. 1Gibson SG (neck pickup, volume ~8)
  2. 2Marshall (lower gain than previous albums)
  3. 3Acoustic guitar for intro section
Gain / Volume6
Bass6
Mid7
Treble6
Reverb3

Lower gain than the earlier Soundgarden albums — Down on the Upside was produced more cleanly. Kim's tone here is closest to a conventional hard rock guitar sound rather than the more extreme approaches of Badmotorfinger and Superunknown.

How to Play It

Hybrid acoustic/electric arrangement — the song begins with fingerpicked acoustic and transitions to electric, requiring two separate instruments and setups. The electric section uses conventional major and minor chord voicings rather than the open/modal tunings of earlier work.

Achievable With

Acoustic guitar for intro → SG or Les Paul → Marshall at moderate gain (6/10). More accessible than most Soundgarden material — no unusual tunings required.

Adapt to My Amp

Other Song Rigs

Black Hole Sun

Superunknown · 1994

Psychedelic, whammy-bar-heavy and detuned — the opening riff uses heavy tremolo

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Spoonman

Superunknown · 1994

Grinding, odd-meter grunge — Spoonman is in 7/4 time, which gives it a relentles

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Fell on Black Days

Superunknown · 1994

Melancholic, dreamy grunge — a slower, more emotionally open texture than Soundg

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Superunknown

Superunknown · 1994

The album's title track and one of Kim's most hypnotic riffs — a droning, repeti

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Rusty Cage

Badmotorfinger · 1991

The Badmotorfinger opener — Kim's most angular and percussive tone on the album.

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